Paris born, now New York based, Julie is an award-winning producer who started her career in France working for the Walt Disney Company before moving to New York to pursue a MFA in Creative Producing at Columbia University. Since then, Julie has established herself as an independent documentary film producer and has worked on a variety of documentary features and docu-series for Amazon (I Am: Celine Dion), Apple (Best Documentary Emmy nominee The Line), CNN (Death Row Stories), HBO (Academy Award winning short Crisis Hotline: Veterans Press One), and Showtime (Enemies: The President, Justice and the FBI) among others.

In her 30-plus years in the industry, Kerry has moved across the country twice: first west from Chicago where she began her career in commercial production with Ebel Productions; to the front range of Colorado where she discovered her love for documentary filmmaking and gained valuable non-profit, agency and comms experience with world class organizations such as The Denver Center for the Performing Arts, BAE Systems, The National MS Society, T-Mobile, and Texas Instruments before forming Exhibit A Pictures and moving east to Philadelphia where she is currently based. As a founding partner, Kerry has produced nine feature-length pop-culture deep dives with Exhibit A Pictures and developed an expert understanding of best practices in Fair Use. For AMC Shudder and director, Stephen Scarlata (Jodorowsky's Dune) Kerry produced Sharksploitation (‘23) and is currently executive producing the upcoming Trailblazer: The Debra Hill Story with Causeway Pictures. For longtime partner, Milkhaus, she produced Artificial Gamer (‘22) and is currently producing a new documentary about midlife sexuality, HOT. Kerry has been a working mother of two for the past two decades and recently served on the Board of the Documentary Producers Alliance and Executive Committee as Treasurer.

PJ Raval is a queer, first generation Filipinx American filmmaker whose work examines social justice issues through the voices of queer and marginalized subjects.